Erik Satie

Satie, Erik         The French composer Erik Satie was born on May 17, 1866, and died on July 1, 1925, was the loose of an English mother and a genus Parisian euphony publisher. He entered the Paris Conservatory in 1879 but failed to benefit from donnish education, which he embarked on again only in his fortieth year, when he enrolled as a pupil of Vincent dIndy and Albert Roussel at the Schola Cantorum. dour in the lead that, however, he had composed a morsel of short forte-piano pieces, whose eccentric titles and unfashionable and yet convincing simplicity of form were matched by an individual sense of harmony. It is unflurried a believe point whether Satie got his harmonic ideas from his fellow scholar and friend Claude Debussy, or whether the debt was on Debussys side. It is quite clear, however, that Saties tasteful principles influenced Debussy in the composition of his opera Pelleas et Melisande and that Satie was the main influence in support Deb ussy to free himself from the musical domination of Richard Wagner. Satie became interested in plainsong through his tie-up funh a so-c in alled Rosicrucian group, while he earned his life story as a cafe pianist in Montmartre. Satie was a conscious eccentric and a determined enemy of all establishments, including the musical.

The comical titles that he machine-accessible to his small piano pieces are characteristic of the Bohemian wit in the Paris of his day. chaff and a deceptively saucer-eyed attitude, a dislike for boasting of all kinds, and an instinctive tightfistedness were hallmarks of both the m an and his music. In 1916, Satie was befrie! nded by Jean Cocteau and wrote the music for a ballet, Parade, on which Pablo Picasso and Leonid Massine in like manner collaborated. By far the most important of Saties works is Socrate , an rough pose for four... If you want to get a full essay, vow it on our website: OrderCustomPaper.com

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